Ballet Luminary Matthew Ball on Grueling Roles and Social Media Scrutiny: 'I'm Not Protective About My Body'

In the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's carriage is naturally upright, his arms defined beneath a plain tee. On stage, ballet dancers can appear like powerful gods, yet often in person they are small. Not so Ball, whose height is part of his popularity for heroic roles and partnering. With delicate features and intense eyes, there's a hint of Robert Pattinson about him.

A Seamless Ascent to the Top

At 31, Ball is enjoying the crest of a career that has progressed seamlessly. Raised in Liverpool, he faced minimal ridicule for his early interest in ballet. Joining the esteemed training institution at 11, he moved straight into the company and was promoted each year, reaching the top rank of lead dancer in 2018. He has relished taking on meaty dramatic roles, especially the emotional angst found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's next featured appearance is in a talk, in an "Evening With" series aiming to offer behind-the-scenes insights into a performer's art. He will walk the audience through a role, demonstrating his mental process during performance. Yet in more comedic works, the challenge is significant. "A classic ballet is one of the toughest technically," he notes.

The Mental Game and Post-Performance Emotions

What about after a performance, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to extract all the juice out of it, and get immersed in the character, frequently I do feel self-conscious afterwards. Following Mayerling I'm always like: Wow, what must people think?"

In person, Ball is thoughtful, polite, and quick to laugh at himself. But a choreographer previously observed on a "sense of suffering in him." Is there? "I am very energetic in general, but I do have a melancholy streak," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Drivers and Creative Inspirations

His determination originated in early experiences. Not excelling in competitions at school made him "vengeful!" It was motivation to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he recalls.

The next challenge is making his own dance works. In his view, "there's nothing wrong with." "Breaking the rules is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing inspiration from books, music, and art.

Close-Up Performance and Personal Dynamic

He additionally is interested in staging dance in smaller venues. "It was just really thrilling," he says of a past show. "You’re so close to the audience. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"

Ball has made pieces with his girlfriend, fellow principal Mayara Magri. The degree of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." They are not typically paired on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Physical Image

On Instagram, fans can see clips from his dance films and photos that highlight a sculpted form. Does he care that the response can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—an object that can be seen on various ways.

Ball describes his younger self as "eager for success." Did it lived up to his hopes? "I am conscious of how life is a separate reality to the aspirations you had as a child," he muses. He likely has another decade of performing ahead. "I suppose in the time to come, I want to be a bit more gentle with myself."

Brenda Pruitt
Brenda Pruitt

A seasoned gaming journalist with over a decade of experience covering UK and international gaming trends, passionate about indie developers and emerging technologies.